Visitors, as if they knew, never remarked
on the old silo with its rammed earth walls
and high thatched roof, incongruous amongst
the new machinery and silver field bins.
Nor the workers brought in at harvest time,
trucks rolling past the ghostly whimperings,
snarls and sharp howls cutting the thick silo’s
baffling. Nor when a bumper harvest filled
every bin and the farmer was hungry
for space – no one ever mentioned bringing
the old silo back into service. This
had been the way for as far back as could
be remembered. Thin sprays of baby’s breath
grew around its foundations, while wedding
bouquet sprouted bizarrely from the grey
mat of thatching. The sun had bleached the walls
bone-white while the path to the heavily
bolted door was of red earth, a long thin
stream of unhealthy blood. Before those storms
which brew thickly on summer evenings
red-tailed black cockatoos settled in waves,
sparking the straw like a volcano, dark
fire erupting from the heart of the white
silo, trembling with energy deeper
than any anchorage earth could offer.
And lightning dragging a moon’s bleak halo
to dampen the eruption, with thunder
echoing out over the bare paddocks
towards the farmhouse where an old farmer
consoled his bitter wife on the fly-proof
verandah, cursing the cockatoos, hands
describing a prison from which neither
could hope for parole, petition, release.
Figures in a Paddock
In their wake the furrows,
partings in long grass,
burrs hell-darning their socks
like recovered memories.
Parallel to the fence – star pickets
mark depth, interlock mesh
letting the light and visuals
through, keeping the stock
in or out – like religious tolerance.
Down from the top-road to the creek,
arms akimbo, driven against
insect-noise, a breeze that should
be rustling up a performance.
Towards the dry bed, marked
by twists and shadow-skewed
runs to colour like bad blood.
The sky is brittle blue,
foliage thin but determined:
colour indefinable beyond green.
They walk, and walking makes history.
And tracks. All machinery.
The paddock inclines. A ritual of gradients.
Ceremony. Massacre. Survey.
The neat greens of Monument Hill
roll into sea, over the rise the soft rain
of plumfall deceives us in its groundburst.
If lightning strikes from the ground up,
and Heaven is but an irritation that prompts
its angry spark, then plums are born
dishevelled on the ground and rise
towards perfection . . .
Out of the range of rising plums
we mark the territory of the garden,
testing caprock with Judas trees,
pacing out melon runs. Behind us a block
of flats hums into dusk and the sun
bursts a plum mid-flight.